I feel it coming the weeknd stems plus#

I also hope I will have enough time for a new album. ThereвЂ™s definitely a new record coming soon. I donвЂ™t like to reveal my plans that much, but I am now becoming more open on social media.

I feel it coming the weeknd stems plus#

Just music thatвЂ™s been on repeat lately, my music, plus a couple of old tracks I really love. How did you go about choosing the tracks youвЂ™ve included? I kinda like the intensity of things, when you have to do a lot of things at the same time.Д 6. I recorded it at my home in Berlin with my phone constantly ringing and between running to look for an apartment and some other stuff. Also, listening for example to Giorgio MoroderвЂ™s music makes me feel like life is worth living when you make music.Д 5. I feel like I kind of have to because if I donвЂ™t do it I feel bad. What drives you to make electronic music? Recently, вЂ™90s, new disco, and new electronic music.Д 4. What have you been listening to recently? Musically, IвЂ™ve been listening to all kinds of stuff, from electronic to pop, and lots of Nicolas Jaar.Д 3. I think I listened to all RA Exchange podcasts, plus some interviews on YouTube with pop musicians. I was actually listening to lots of interviews with different musicians because I was going to the gym everyday. What have you been listening to during lockdown? Now I want to run like 15 or 20 kilometres, whereas usually I run around 10.Д 2. The past month IвЂ™ve been working on my new record, looking for a new apartment in Berlin, and doing lots of sports and running. Tracks, several of which are her own, donвЂ™t go on for long and transitions are swift, but this, she says, is just how her imagination works. On a basic level, itвЂ™s just a collection of her favorite records old and new, but itвЂ™s also a vague attempt at mixing pop music with techno and house-Drake with Aphex Twin Jan Jelinek with Whitney Houston-for the first time. Recorded last week in Berlin, KanвЂ™s mix casts the net wide and switches freely between rhythms and genre. Now sheвЂ™s marking it with an XLR8R podcast. After releasing вЂњ Ice Birds,вЂќ a mellow cut with soothing melodies available now on a compilation compiled by Seb Wildblood, and her first live set, sheвЂ™s shared Heartbeats, which features two tracks recorded in isolation and one recorded in 2018. вЂњWe live in a world of grey copy robots, and I would rather like to see diversity of unique individuals,вЂќ she said an an interview.Дў021 has been a quiet year for most artists and the same goes for Kan. This stems from a desire to never limit herself to what label heads are wanting themselves to break the mould. The release was significant because it launched Twist, her own label, formed because she values the convenience of putting out music whenever and however she chooses. With Remember, released in October 2020, she delivered four more tracks of deep and sophisticated house and techno-minimal but also powerful. One of the first people to bite, in 2017, was British artist Spencer Parker, who rolled some of KanвЂ™s sketches into Dust And Haze, her debut album on Work Them Records. After a period of reflection, she found herself sharing her work with label contractions she could find on RA, and it didnвЂ™t take long for her to find some traction. вЂњI now feel that I was so privileged to be a part of it.вЂќ She began making music seriously in 2013, and by the following year sheвЂ™d compiled a collection of demos. вЂњI was really inspired by the idea that people there knew exactly what record a DJ would play,вЂќ she says. Through online communities, where members would exchange and post about music, she developed an affinity for house and techno, helped by going to concerts and parties as part of her work as a music journalist. Valya Kan, a Russian who has spent much of her adult life in Berlin, began her interest in electronic music around 2007 when she connected with the deep atmospheric grooves and minimal beats that soundtrack the German capital.